John Kacere spent the last thirty years of his life painting the only thing that interested him: the mid-section of the female body.
The kitsch paintings make for pleasurable viewing, not least for the sexually-charged subject matter. John’s incredibly tuned hyperreal style lends itself to the flawless skin of the idealised Caucasian bodies he paints as well as it does to the slippery silk and satin folds of lingerie and bedsheets.
As the curve of each woman’s hips builds a terrain across each canvas, the scantily-clad female form becomes a landscape of sexual possibility.

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